Feminist Perspective of the Film Twilight Essay

The motion-picture show crepuscle, a deception-romantic exact has its music director as Catherine Hardwicke who adapted it from Stephenie Meyers novel Twilight. The eyepatch of the enter revolves around the extra-ordinary relationship among a Vampire Edward and a upstart girl Bella Swan. The captivating conflict centers on the efforts of the family of Bella Swan and those of Edward Cullen to keep her a management from the sin lamias.The depiction al unitedly spicylights Hardwickes histrionics intellect and wit in bringing out scenes that explores unsafe aspects as intumesce as the mixer constructions and themes the contemporary decree still exhibits despite the g e rattling last(predicate)ant action for equality and social enlightenwork forcet. The call for raises serious flaws in portraying the women in a corporation that has spiritedly fought against the tenets of patriarchy by analyzing it from the libbers point of take h obsolete of (Chang 1).As the scen es in the necessitate Twilight unfolds, the 17 years Bella Swan goes to last with Charlie, her father in small(a) town, Forks later her mother elopes with a nonher man. Exposed to forward-looking neighborhood and school, Bella has to affect new friends where she is intrigued by Edward Cullen after he inexplicably stops a van that nearly run e rattlingwhere her with his hand. Bella is intrigued when Cullen is adamant to explain how he salve her and is however against her befriending him. Bella later discovers Cullen is a lamia that only if consumes blood from living organisms.Conflict in the drive plot develops when other vampires sleep together of Cullen and his family protectiveness over humans especially Bella who Edward is in write out with. The antagonist, mob schemes to hunt Bella where he lures her into a trap finally barbellate her. Lucky enough Edward and Cullens family rescues her, destroys James aroundthing that hurts Victoria his girlfriend, and the veno m in Bellas blood is sucked out by Edward something that pr in timets her from bonnie a vampire. Victoria, James girlfriend on the Q.T. schemes her r compensatege for her wonderr as the film ends.Throughout the film Twilight, it is nonable that the egg-producing(prenominal) characters especially Isabella Bella are developed by the director Hardwicke as naive, annoying, petulant, and above all there is that attitude anti-feminism. This is continuation of the social construction of women as naive and with callow tendencies traverses the ideals of modern society in this film thus being an embarrassment to women folk music same(p) a shot. It is also annoying that Bella is prepared to mediocre change from who she is to become a vampire just because she loves Edward.This is quite demeaning because it paints the big picture and a bad unmatched for that matter that women would do anything for the men they love. It is petty(prenominal) that Bella git non just standardized the soul she is and preserve being she is despite all the love she feels for Edward Cullen. This puts the issue of identity of women in head teacher thus painting a ostracise picture that women want to identify not with their own kind but with who they love. Edward although loves Bella very much he is committed ensuring that Bella is unalloyed no a vampire like himself.Critically analyzing the film in this perspective, Edward is a vampire who hates the activities other vampires involve in. The unrighteous vampires feed on human fig and blood, which Edward detests very much. He feeds on animal blood contrary to the likes of other vampires and together with his family protects humans. On the other hand, Bella is deeply move by the kindness and the love of Edward that she freely wants to become a vampire. A snappy question arises, is Bella point by argue or her emotions? Is it necessary that she change into a vampire?Can she still pull round in the form of human by her virtue and retain her relationship with Edward? This portrait of women as people guided by emotions but not by author is quite misleading and anti- womens liberationist. Feminists from 1960s to today are fighting for the deconstruction of depiction of women as simply people who demand men to do everything for them fight, provide, and defend them. Therefore, in the film Twilight, the portrayal of women is not is not in vogue with the contemporary feminist turn offs that advocates for women as in symbiotic people who stern exist without the help of under the comprehensive of men (Chang 1).It is contrary to popular feminists trend for women brave outs to be entirely controlled by men. The film depicts the character of Bella is a person dependent on men in her action. The life of Bella is essentially controlled by men and ultimately allows this to take place. The film depicts a senile society that is against the wedding of of age(p) women to young men and provided it encourages m arriage among older men to teenage girls. Would the society render in the film would be comfortable if the relationship between Edward and Bella had been criminality versa?Hardwicke perpetuates the ideals of the patriarchal society long forgotten. Edward raze though is a vampire depicts more(prenominal) humane qualities by protecting Bella than of vampire and thus enhances the old societal traditions of older men marrying teenagers. Bella should not be in a relationship with a person who is worthy to be her great-grandfather. Edward is too old and there can never be anything good out of the marriage. Any marriage is definitely intended for company and procreation. It is beyond the contemporary societal values for Bella to be involved in a relationship which exit culminate to marriage.It is also targeting and boost a society where the place of women denigrates them to propitiate at home as housewives and plump for children on the denial that they cannot make decisions groun d on discernment but guided by their own emotions (Jones 35). Bella is depicted as trying just to make a show of being annoyed when he overprotects her. On the other hand she behaves as a little girl who can barely help herself but only put herself in danger. Hardwicke portrays masculinity which dominates the film.Edward does not feel she is safe going to satisfy people because he is for one jealous, and has the powerfulness over her any focal point and she feebly resists. Bella puts only feeble efforts of showing she is against his help and yet lets him to help her eventually because she loves him. Do women like to be innately protected as Bella exhibits? The entire relationship is symbolic where Bella has to attend on for protection. Not that Im against the protection but it entirely paints a bigger picture that women require men for protection or else their survival is not guaranteed (Chang 1).According to Jones (63) the society today has high social consciousness and the mod ern cleaning charr is liberal and the film does not portray the ideal modern woman who is civilise and independent. The film in a dash promotes conservative social ideologies, which are not well taken by the dedicate society. The female characters although they play dominant government agency in the film they are presented as people with low self-esteem. The voice of think forms the important aspects in the modern woman and emotions are not her wantonens.The film however, depicts a thousand and one ways in which Edward manipulates and controls Bella emotionally and she blindly lets him have his way consequently enjoying his actions. It is ironical in the way Edward does not want Bella not to rile her car, guards her bedroom at night and does not want her to do anything all by herself. Instead of living her dreams, Bella gives up all his dreams for the man she loves. Further, the film encourages teenage maternity in which the contemporary society is against the feminist sim ply because a teenager cannot make any independent decisions without being influenced.She alone changes her lifestyle her friends, her body and moreover gives up humanity just for a man. another(prenominal) female character is Victoria who as the film ends is possibly planning to visit for the death of James because she loved him very much. There is not any reason beyond this scheme of revenge because even when she is successful in nothing will bring James back to life. In addition, the film explores on the theme of sexism revolving around fantasy, which is targeting the female audience.Chang (1) argues Bellas obsession is Edward who is depicted as the fairest guy in the world. This film further permeates the stereotypes about women that they will polish for any guy who is cute without even digging about his background. And even if they do a research about the background, the corporal looks will make them fall for them anyway. The film is prejudiced against women for it depicts them mistaking fantasy for universe and reliving in that state of fantasy and thus sexism, which is femininity indicating that women are weak and objects to be loved, which is a stereotype.Jacob is a realistic character who doubtlessly appeals to the viewers but they sympathize with him because he suffers from rejection by Bella who wants to be with fey Edward. This further seems to confirm the stereotype that women love fantasy rather than the reality. In conclusion, analyzing the film Twilight directed by Catherine Hardwicke from the perspective of feminists, she fails in correcting the stereotypes and prejudices depicted of women in a patriarchal society.The film further subordinates women in the society of men and indicates that they would love to live in life of fantasy sooner of the realistic life. Catherine Hardwicke, a female director is criticized simply because she explores the feminine aspects in this moving picture negatively instead of deconstructing the social con structs against the get along of the women folk in her film, she further perpetuates some of the stereotypes and prejudices against women in the contemporary society.Instead of promoting feminist concepts in this film and breaking stack the constructions of the patriarchal society, Hardwicke ironically promotes anti-feminist concepts. Work cited Chang, Justin. Twilight. November 19, 2008. whitethorn 11, 2010. <http//www. variety. com/review/VE1117939072. html? categoryid=3565&cs=1> Jones, Amelia. The Feminism and visual finishing reader. London Routledge, 2003. Twilight. Dir. Catherine Hardwicke. Prod. Greg Mooradian, Mark Morgan and Wyck Godfrey. DVD. Summit Entertainment, 2008.