I Hate About You is a relocation of the Taming

The Taming of the Shrew relocated to full(prenominal) check? gill Gunners 10 Things I Hate About You is undoubtedly more(prenominal) mixed than a motility of Shakespearian The Taming of the Shrew into high school. The transformation of Shakespe atomic number 18an clowning Into the teen flick genre and the integration of Elizabethan set alter the film to be a victorious relocation of the play, yet the incorporation of modern sexual activity rules discerns it as something more than a relocation. The culmination of these facets get to a cinematic masterpiece that draws parallelism to Shrew In a womens liberationist post.The transformation of Shrews comedic genre into the teen genre in 10 Things facilitates its relocation into high school. In Shrew, comedy revolves around the physical violence upon Kate, deception, and a play on words. The sight of a shrew physically subdued by a man would have been humorous to an Elizabethan audience. Humor is likewise evident in Epithet ic and Skates verbal battle, where elaborate puns argon constructed. Wo men are do to bear and so are you (11. 1. 200). Here, Epithetic twists the word bear into meaning giving childbirth, and so twisting Skates Insults Into Innuendo. Influenced by the teen genre and the rise of fearfulness. N 10 Things, comedy exists verbally and in stereotypical teenage experiences. Ms Perks attempt to advert an erotic scene in her novel is recount of verbal humor, connatural to Pediatrics drill of puns. The concept of growing up is embodied in Cats antisocial behavior. Described as a heinous blotch, her unfriendly carriage Illustrates her inability to accept her adolescence, such as dating. This is emphasized in the company scene, where the childhood swings she is sitting on Juxtapose against the adolescent party kin In the background. The modern adaptation also explores teenage dating. Dating forms the innovation of comedy.Blanch feels the urge to date for the purpose of fitting in to t eenage culture. In the words, Im the only girl that doesnt date, Bianca suggests that her motivation for dating is due to peer pressure. The beguile of peer pressure is also apparent in other movies found on a teen genre, such as Grease (1978) and The eat Club (1985). By appealing directly to teenage audiences through gross experiences, Shakespearean comedy is relocated into high school. The integration of bullion and posture as Elizabethan values into 10 Things contributes to It being a successful relocation of Shrew.In Shakespearean comedy, marriage Is an opportunity for the men to acquire wealth and Increase their social status. Pedicurists motives for journeying to Pad are solely to unify the daughter of an affluent father to increase his own wealth and status, or as he expresses it, to Wives and thrive (1. 11. 42). The simplicity of Petroleums Intentions accentuates the ease to which It can be accomplished, and thence suggests that marriage Is a game signed and played b y the men. These values are incorporated into the teen adaptation by alternating the setting into high school.By incorporating the teen Shakespearean work, dating is a tool used to gain money and popularity. Cameron and Michaels plot to use Joey, a wealthy Coco, to bribe Patrick to date Kate is evidence of this. While this increases Patriots money and allows Cameron and Joey to date Bianca, it also enables Michael to be cool by association to popular people, thus increasing his status among the school hierarchy. In such, the men benefit while the omen become puppets in a manlike plot. The similarities between money and status in Shrew and 10 Things get out a parallel course to which both texts extend.The distinction in sexual urge conventions between 10 Things and Shrew is crucial in demonstrating that the modern adaption is more complicated than a high school relocation of the play. In Elizabethan England, women were the property of their men and were expected to loyally serve them. This convention is adequately expressed in Shakespearean gambling, culminating in Skates entrance speech. In such, the use of juxtaposition comparing women to men in the words, l see our lances are but straws/ Our strength as weak, our weakness past compare, (V. I. 173-174) illustrates female submission to male superiority in a patriarchal society. In precondition of Skates violent behavior, her acknowledgement of female servitude undermines her shrewish nature, and therefore demonstrates that she is tamed. Elizabethan gender conventions are transformed to a more feminist and less sexist perspective in the movie, dictated by modern attitudes towards women. Women in 10 Things josses more control of themselves and exert greater influence, such as Bananas manipulation to allure her sister to date.Similar to Kate, Kate is a young independent woman who strongly supports feminism. In the words, Why should I live up to other peoples expectations except for my own, Kate demonstrat es she is untouched from social oppression. In contrast to Pedicurists use of physical violence of taming Kate, Patrick uses graciousness to tame the wild beast and socially conform her. The change in gender conventions while maintaining a similar characterization of Kate compels the elm to be a relocation of the play but in a more feminist outlook. 0 Things I Hate About You is a high school relocation of The Taming of the Shrew in a feminist viewpoint. The incorporation of the teen movie genre and the values of money and status in the movie witness the plays relocation into high school, while the change in gender conventions provides a more feminist perspective of the movie. The modern adaptation moves away from its misogynist basis and entertains a teenage audience by transforming aspects of Shakespearean drama into common adolescent experiences.